




To Hackberry, Danny Boy’s alcoholic madness was a respite from a far greater form of delusion. Mobs did not rush across town to do good deeds, and in Hackberry’s view, there was no more odious taint on any social or political endeavor than universal approval. Instead, Hackberry Holland’s greatest fear was his fellow man’s propensity to act collectively, in militaristic lockstep, under the banner of God and country. The sheriff had arrived at an age when he no longer speculated on the validity of a madman’s visions or, in general, the foibles of human behavior. But Sheriff Holland, who had been a prisoner of war for almost three years in a place in North Korea called No Name Valley, wasn’t so sure. His solipsistic behavior and his barroom harangues were certainly characteristic of a wet brain, they said. To most people in the area, Danny Boy was an object of pity and ridicule and contempt. 45 revolver and history as a drunk and a whoremonger were the sum total of his political cachet, if not his life. The sheriff who allowed Danny Boy to sleep at the jail was an elderly six-feet-five widower by the name of Hackberry Holland, whose bad back and chiseled profile and Stetson hat and thumb-buster. Other nights he slept behind the saloon or in the stucco house where he lived on the cusp of a wide alluvial floodplain bordered on the southern horizon by purple mountains that in the late-afternoon warp of heat seemed to take on the ragged irregularity of sharks’ teeth. He fought his hangovers in a sweat lodge, bathed in ice water, planted by the moon, cast demons out of his body into sand paintings that he flung at the sky, prayed in a loincloth on a mesa in the midst of electric storms, and sometimes experienced either seizures or trances during which he spoke a language that was neither Apache nor Navajo, although he claimed it was both. In summer, he wore long-sleeve cotton work shirts buttoned at the throat and wrists to keep the heat out, and in winter, a canvas coat and an Australian flop hat tied down over his ears with a scarf. His physique was as square as a door, his clothes always smelling of smoke from the outdoor fires he cooked his food on, his complexion as dark and coarsened by the sun and wind as the skin on a shrunken head. SOME PEOPLE SAID Danny Boy Lorca’s visions came from the mescal that had fried his brains, or the horse-quirt whippings he took around the ears when he served time on Sugar Land Farm, or the fact he’d been a middleweight club fighter through a string of dust-blown sinkholes where the locals were given a chance to beat up what was called a tomato can, a fighter who leaked blood every place he was hit, in this case a rumdum Indian who ate his pain and never flinched when his opponents broke their hands on his face.ĭanny Boy’s black hair was cut in bangs and fitted his head like a helmet.
